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Labels: carnatic vocal review, carnatic vocal reviews, review nithyasree nithyashri nithyasri nityasree nithyashree Velan Varuvanadi Theme Murugan hears about Valli's beauty and pretends to chase a deer and comes to her 'thinai' tribe near thiruthani and is stunned by her beauty. Find the most rare carnatic kritis of great musicians like Muthuswami Dikshitar and Purandaradasar here, along with the notations and the audios provided for the learning of the passionate. We uphold this motive to preserve the ancient compositions of legends and pass them on to the next generations. Any queries regarding any songs posted or not posted may be sent to meerakrishnancarnatic.

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I have not written for a few days mainly due to being busy with a family function. I would like to return to my musical journey and talk about my trips to Madras during the so called 'music season'. Whenever I visit Madras, the time of preference is December. Not only is the weather tolerable at this time but there is literally music in the air.
The first 'season' I attended must have been in the late 1980s. That time, and most subsequent times, my family and I have rented an apartment or house in Madras during the season time. We were fortunate to be able to stay in the Mylapore area a number of times, within close proximity to several of the major music sabhas. The usual routine would be to have breakfast and head off to a concert or lecture-demonstration, return home for lunch, have a nap, then go off for another concert or two. Oh! What a life!
In late 2000, I made a trip again to Madras but this time my time was not spent with sangeetham (music) but with Sangeetha. Yes, I met and married Sangeetha in December 2000. Probably the thing which clinched it for me apart from the natural attraction was the fact that we both shared the same favourite raga - Sahana. It is now over four years since we were married and her musical skills have blossommed in Sydney. Whilst previously I had to resort to the internet to find companions to discuss Carnatic music, I now have a life long partner to share this love with. We have performed many times together and have even composed music together.
In 2000, we did attend a few concerts together. I think the first was Sanjay Subrahmanyam's Narada Gana Sabha concert where he sang a RTP in Neethimathi. In December 2002, when we returned to Madras for a visit, we attended around 25 concerts.
The Madras Music season is probably the largest musical event to take place annually - anywhere in the world. It is a pilgrimage that any Carnatic music lover must make. My burning ambition is to perform during the music season in Madras. The main problem I have been facing, however, is the weight of my instrument!

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I have not written for a few days mainly due to being busy with a family function. I would like to return to my musical journey and talk about my trips to Madras during the so called 'music season'. Whenever I visit Madras, the time of preference is December. Not only is the weather tolerable at this time but there is literally music in the air.
The first 'season' I attended must have been in the late 1980s. That time, and most subsequent times, my family and I have rented an apartment or house in Madras during the season time. We were fortunate to be able to stay in the Mylapore area a number of times, within close proximity to several of the major music sabhas. The usual routine would be to have breakfast and head off to a concert or lecture-demonstration, return home for lunch, have a nap, then go off for another concert or two. Oh! What a life!
In late 2000, I made a trip again to Madras but this time my time was not spent with sangeetham (music) but with Sangeetha. Yes, I met and married Sangeetha in December 2000. Probably the thing which clinched it for me apart from the natural attraction was the fact that we both shared the same favourite raga - Sahana. It is now over four years since we were married and her musical skills have blossommed in Sydney. Whilst previously I had to resort to the internet to find companions to discuss Carnatic music, I now have a life long partner to share this love with. We have performed many times together and have even composed music together.
In 2000, we did attend a few concerts together. I think the first was Sanjay Subrahmanyam's Narada Gana Sabha concert where he sang a RTP in Neethimathi. In December 2002, when we returned to Madras for a visit, we attended around 25 concerts.
The Madras Music season is probably the largest musical event to take place annually - anywhere in the world. It is a pilgrimage that any Carnatic music lover must make. My burning ambition is to perform during the music season in Madras. The main problem I have been facing, however, is the weight of my instrument!

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  1. Kruthi: gajananayutam, chakravaka, adi govardhana girisham, hindola, ropaka ninne bhajana, naata, adi bhavamulona shuddha dhanyasi adi ni vaada ne gaana, saranga, chhapu janaki pathe, kharahara priya adi bhavayaami raghu raaga malika, adi saraswati namostuthe, saraswati roopaka saara saaksha pantuvaraali adi maamavatu hindola adi (original) gaja vadana sri ranjani adi (original) vandanamu.
  2. It was an awesome musical day today at Bridgewater temple, New Jersey. Students from all music schools in and around New Jersey participated and paid their tribute to the legendary Mumoorthigal, the trinity of Carnatic Music, Sri Tyagaraja, Shyama Sastrigal and Muthuswamy Dikshitar.




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